Mostrando entradas con la etiqueta Rotting Christ. Mostrar todas las entradas
Mostrando entradas con la etiqueta Rotting Christ. Mostrar todas las entradas

miércoles, 4 de marzo de 2009

[REQ]Rotting_Christ-Passage_to_Arcturo-Remastered-2005-GRAVEWISH



Artist: Rotting Christ
Album: Passage to Arcturo
Year: 2005
Rel. Date: 2008-04-20
Genre: Black Metal
Label: Dying Music
Source: CD
Type: Remastered
Encoder: LAME v3.97 -V2 --vbr-new
Quality: VBR, 44.1kHz, Joint Stereo

Greece, once shocking the narrow minded populace
with nude statues. Now in the late 20th century
adds to this world dilemma once again within a
morbidly compulsive metal group this time. One so
mythical they make Merlin look like a birthday
party magician. And one whos name shocks even
more numbers. Which is so bluntly called Rotting
Christ.

Rotting Christ imports their first EP titled
Passage to Arcturo. With musical styles ranging
from Black Metal and Death Metal. P.T.A. sounds in
a similar fashion to country mates Varathron, and
Necromantia. Especially the Black Arts Lead..
split they mutated. And even going as far as to
influence groups like Italys Evol demos.

To give you an idea of how the production quality
is: The production on Passage is recorded through
analog devices. As well as the demo before this
Satanas Tedeum. And the album after this Thy
Mighty Contract is digital. Satanas Tedeum had a
lot of more quicker parts to it. While Passage
slowed down a bit, and added more melodies and
solos to their work. Thy Mighty Contract (debut)
dropped a lot of thick death metal riffs they were
doing on Satanas Tedeum and still retained, as
well as added more melodies characteristic of
Passage.

The instruments on this album are a perfect
example of the 90s transitional period from death
metal to black metal. Where R.C.s riffs relied
less on straight brutality but added throughout
their journey, heavy riffs with a slight more hint
of melody. Dual layers of melodic harmonies
intermix with palm mutes and distortion. To make
an ugly produced but oddly beautiful intermixing
aria of melodies. Guitars vary from single palm
muted tremolo picked riffs to power chord driven
slower segments. The dual guitars sometimes add a
higher note while the rhythm guitar plays a more
deeper riff. Another accent to add subtitles to a
foreign cd is the bass. Luckily for us it is
easily read and the acting stands out very
vibrantly. The bass guitar is played clean and
usually he plays a different rhythm then the
guitar. Which is heard equally as loud. When you
have heavy instrumentation you need a vocalist who
can carry a lot of weight (pun intended).
Necromayhem (Sakis) for the most part adds a
distinct deep growled voice. At certain points he
adds extra extended screams. And even during The
Mystical Meeting adds spoken words then ends it
with a deep vocal effect. To keep all of the
instruments in check and on time Rotting Christ
added the drums a little louder in the mix than
the guitars. The drum sound is rough as well as
the guitars are but on the other hand sound deep
and raw. The most stand out feature of his
drumming is all of the double bass he abuses. His
beats extend from semi thrash beats to slower
parts where he utilizes the double bass the most.
And usually for fills adds hyper snare rolls and
open high hat hits. All of these varied sounds
come together to create a dark oddity. To even
further their glorious dark vision Rotting Christ
added slight keyboards. They are used as a tool to
accent guitar riffs. For example on The Forest of
NGai the riff is ended in a high pitched
keyboard effect resembling a demonic choir.

More than likely why the lyrics for The Mystical
Meeting havent been fully printed is because
they kind of borrowed a few lines from the 80s
goth band Christian Death. Particularly the song
Mystirium Iniquitatis on their Only Theatre of
Pain cd. On the printed cd, Rotting Christ lists
the song as The Mystical Meeting (Dog Spleh
Esoht Sevlesmeht) Where in the song they dont say
this line but Christian Deaths line of Sevesmeth
pleh ohw esoht spleh dog. (1:07 in for reference)
Say it backwards and what do you get? And also on
the song Uncertain Journey also by Christian
Death. Ereth is on ytic of Dog. Nmad eht eman
of Dog It is hard to tell because of his accent.
But I cant even come close to figuring out the
third line?

The only predicament with P.T.A. is the mixing. It
is one of those cds where the music is perfect but
the production is hurting the cd. For example,
sometimes Sakiss vocals are hidden because they
are so deep. And other times the high hat might
not be heard during a crucial point. But on the
other hand every instrument is accounted for. Even
the bass guitar which is usually neglected in many
bands. The drums are heavy and for the most part
audible. The keyboards are used seldom when needed
and the guitars have multi layers to show some
complexity.

Rotting Christ have captured me on their first EP.
That being the first material Ive heard from this
long spinned supreme band. Going from a more
grind/death/thrash sound to a black/death metal
sounding band on Passage to Arcturo. I recommend
this short EP to anyone who wants to get into
early nineties transitional black metal.

Tracklisting:

1. The Old Coffin Spirit 4:54
2. The Forest of NGai 5:52
3. The Mystical Meeting (Sevlesmeth Esoth 4:36
Spleh Dog)
4. Gloria de Domino Inferni 1:37
5. Inside the Eye of Algond 5:57
6. The Nereid of Esgalduin (Bonus Track) 3:52
7. Vicious Joy and Black Delight (Bonus 4:19
Track)
8. Feast of the Grand Whore (Bonus Track) 3:16

Total Time: 34:23


jueves, 26 de febrero de 2009

Rotting_Christ--Sanctus_Diavolos-Promo-2004-ViC



Artist.......: Rotting Christ
Album........: Sanctus Diavolos
Year.........: 2004

Genre........: Black Metal
Label........: Century Media

Grabber......: Audiograbber
Encoder......: Lame
Quality......: VBRkbps / 44,1kHz / Joint-Stereo

Type.........: Promo
Source.......: CDDA

While Genesis means source and origin, it also alludes to the
first book of the Bibles Old Testament. With their aptly named new
album Genesis, Greeces Rotting Christ have returned to their
roots, pushing the aggression even further than Genesis
predecessor, Khronos (2000). Yet, the aggression that recalls
Rotting Christs Century Media debut Triarchy Of The Lost Lovers
(1996) is tempered by the musical experience the quintet has
accrued through more than a decade of recordings and performances.

Rotting Christs renewed commitment to sonic brutality is reflected
not only in their choice of album titles, but also in their
decisions to revert to their original logo and revisit Andy
Classens Stage One Studio (Krisiun, Asphyx, Callenish Circle).
Returning to the studio in which they recorded Triarchy Of The Lost
Lovers, Rotting Christ continued exploring their unique blend of
raging Black Metal and infectious melodies to create one of their
most foreboding and punishing recordings to date.

The Rotting Christ story began in 1987 when the group formed under
the influence of bands like Bathory, Venom and Celtic Frost. After
one EP (Passage To Arcturo), Rotting Christ were signed by French
Label Osmose Records, through which they continued spreading their
unholy message with Thy Mighty Contract (1993). By that time,
Rotting Christ were already considered among the worlds Black
Metal elite.

After the success of Non Serviam (1995), their second full-length
album, the band signed to Century Media Records. 1996s Triarchy Of
The Lost Lovers realized the groups potential and further cemented
the bands international reputation. After two successful European
tours, the band entered Germanys renowned Woodhouse Studio with
creative mastermind Xy (Samael) as producer. With united forces,
Rotting Christ took their music to the next level, this time
concentrating on the epic qualities of their sinister sound. A Dead
Poem managed to reach a wider audience without betraying their
blackened roots. Shortly thereafter, the band were shaken by
line-up changes, but nevertheless managed to thrive, touring over
20 countries, including Turkey, Israel, Bulgaria and all of South
America in 1998.

In late 1998, Rotting Christ headed back to Woodhouse Studio (again
with producer Xy) to explore new ground once again. Sleep Of The
Angels, dominated by Gothic influenced Dark Metal, proved that the
band were perfectly capable of handling the challenge of expanding
their sound and landed the band tours with bands like Cradle Of
Filth.

Despite the success of the album and tours, the band rediscovered
their fondness for the darker Black Metal sounds that characterized
their early recordings. A year later, Rotting Christ entered the
famous Abyss Studio in Sweden with Sakis as producer (and a helping
hand from Hypocrisys Lars Szoke and mixing by Peter Tagtgren). The
band recorded Khronos and, soon after, toured Europe with
Tristania, Vintersorg and label-mates Madder Mortem, during which
they were further convinced that they were right to pursue the
heaviest and darkest music possible.

Just a few days prior to recording Genesis, Rotting Christ played a
great one-off in London with Gothic Metal heroes My Dying Bride.
Riding the momentum of the show, they secluded themselves between
May and June 2002 in order to solely focus on producing the
nightmarish, yet still catchy Genesis - an album primed to appeal
to the old-school fans as well as those who prefer their more
sophisticated and epic tunes.

Line-up

Sakis - Guitars, Vocals, Keyboards
Andreas - Bass
Themis - Drums

Sanctus Diavolos retails on September 20th, 2004.

http://www.rotting-christ.com

01. Visions Of A Blind Order 03:47
02. Thy Wings Thy Horns Thy Sin 04:13
03. Athanati Este 05:40
04. Tyrannical 05:07
05. You My Cross 04:19
06. Sanctimonius 03:16
07. Serve In Heaven 03:55
08. Shades Of Evil 05:14
09. Doctrine 06:28
10. Sanctus Diavolos 06:41
------
ToTAL: 48:40



Release Date.: Aug-12-2004


jueves, 23 de octubre de 2008

Rotting_Christ-Passage_to_Arcturo-Remastered-2005-GRAVEWISH



Tracklist:

1. The Old Coffin Spirit 4:54
2. The Forest of N'Gai 5:52
3. The Mystical Meeting (Sevlesmeth Esoth 4:36
Spleh Dog)
4. Gloria de Domino Inferni 1:37
5. Inside the Eye of Algond 5:57
6. The Nereid of Esgalduin (Bonus Track) 3:52
7. Vicious Joy and Black Delight (Bonus 4:19
Track)
8. Feast of the Grand Whore (Bonus Track) 3:16

Total Time: 34:23




CONTRASEÑA/PASSWORD:
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